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Feminism Now

The More Things Change
"The More Things Change," sumi ink and watercolor on fabric, 24 X 16"

Visual Art Exhibition by
FIG and Krogen Amerika

The exhibition will run May 26- June 17, 2018
Opening Reception: opening May26th

Grafiska Sallskapet, or the Gallery of the Swedish Printmakers' Association
Hornsgatan 6, 118 20 Stockholm

Gallery hours:
Tues 12-18, Fri Sun 12-16 

About the Exhibition:

Members of the San Diego FIG, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.

Participating Artists:
Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L'Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz.


Southwestern College Art Gallery presents
The FIG Group in:

Mind the Gap

The idea of this exhibition is to unite with our male counterparts – to bridge the gap. Curator, Prudence Horne asked us to select a male artist in any media whose work complements/contrasts with our art in some way, shape, or form. I'm excited to be showing with my guest William Feeney. This show gives us the chance to acknowledge the good men in our lives as we forge artistic alliances for change. It seems very important to do that right now!

March 15 - April 19
Opening Reception
Thursday, March 15
11:00 am – 1:00 pm

Artist Talk
Noon – 1 pm, Thursday, March 15

Artist Reception
1:00 – 3:00 pm, Saturday, April 14

Monday - Thursday, 10:30 am – 2:00 pm
Free parking in Lot O for Saturday reception only.
This event is free and open to the community.
For more info contact pvasquez@swccd.edu
Made possible by a grant from the Southwestern College Foundation

Invisible Borders

Small Works by local artists fundraising for Surfrider Foundation San Diego County Chapter for Ocean Discovery Institute.

March 15 - April 12
Opening Reception
5pm – 7pm, Thursday, March 22

City Gallery 1508 C St, AH 314
San Diego, California 92101

Recent Exhibitions:

Pacific San Diego Article

Endangered: Exploring California’s Changing Ecosystems

Mesa Card
Mesa College Art Gallery
September 5-28, 2017
Opening Reception, Thursday, September 7, 3:00-6:30 pm
Panel Discussion with select artists and scientists,
September 7, 6:30-7:30 pm Exhibition Dates: September 5 – September 28, 2017

Featuring works by:
Stephanie Bedwell
Kira Carillo Corser
Michael Field
Stacie Birky Greene
Sasha Koozel Reibstein
Jim Riley
Jen Trute
Ruth Wallen 

Curated by Danielle Susalla Deery

Mesa College Art Gallery is proud to present Endangered: Exploring California’s Changing Ecosystems. An interactive and educational exhibition, Endangered invites attendees to explore the work of 8 artists who’s process and work explores our local environment and the ways in which it is rapidly changing. Through their photographs, paintings, sculptures and videos the eight artists in this exhibition shed light on some of the blight happening in our regional ecosystems. Working with local scientists, students and eco-conscious organizations this exhibition presents evidence of the changes happening in our local geography and encourages dialogue on how the public can help provide positive solutions.

Curated by Danielle Susalla Deery, former Director of Exhibitions at Oceanside Museum of Art (OMA) and adjunct art history professor at Fullerton College, this exhibition promises to be a captivating mixture of Deery’s passion for the environment and contemporary art. Deery shared that this exhibition is very timely as this is a critical time in environmental policy history, “Environmental consciousness is a very topical concern facing humanity around the globe. In the United States momentum has grown recently as knowledge of harmful use of chemicals affecting our land, water and air has become more prevalent in popular media. Unfortunately, in a misguided move, President Trump recently rescinded the EPA’s Clean Power Plan, designed to reduce carbon dioxide emissions from new and existing power plants, reversing the great strides taken to combat climate change. These recent policy changes coupled with an undeniable shift in climate, are a constant reminder that we need to be active participants in securing the sustainability of our planet. With this exhibition we hope to provide viewers with information about their regional ecosystems empowering them to make positive decisions that will impact the health of our region and planet.”

Each of the eight artists selected to participate in this exhibition has a long standing commitment to environmental justice and explore complex issues in an aesthetically rich and creative process. Stephanie Bedwell examines the ongoing demise of the bee population through her expressive and poignant sculptures. Using the bee as her subject matter she places this important pollinator in challenging environments forcing the viewer to question the health of the insect. Birds are the main focus of Stacie Birky Greene’s body of work. In this exhibition she presents a collection of meticulously drawn California endangered and extinct birds exposing only a small portion of the 1,300 bird species globally facing extinction. Kira Carillo Corser is also interested in how pollution is affecting our environment. Her two mixed media pieces comment on plastic pollution in our oceans and rising carbon dioxide levels created by an increased concentration of greenhouse gasses in our atmosphere. 

juried by Anthony Graham,
Assistant Curator at the Museum of Contemporary Art San Diego
December 10, 2016-January 29, 2017
San Diego Art Institute
1439 El Prado San Diego, CA, 92101
Opening Dec. 10 from 6pm-8pm

Women's Museum of California
Night Stand: Bedside Imagings by FIG
Nov. 4-Nov. 27, 2016
Opening Nov. 4, 5-9pm
2730 Historic Decatur Rd., Suite 103
San Diego, CA 92106

Tiffany's Revisited: Homage to Clara Driscoll

video still

The Dying Swan: Revisited/Re-envisioned

an evening-length dance work by Erica Buechner.
Inspired by the original Mikhail Fokine choreography,
The Dying Swan, created on Anna Pavlova in 1905.

I am very excited to have my birds included in this production as part of the set. And my hand as a part of the performance...

San Diego CityBeat Article: From the First Peformance...
"Our picks for cool things to do this week"

Current Project:


Series of pieces focusing on birds who have gone extinct in my lifetime

Extinct: Aguiguan Nightingale  Reed-Warbler, 1997

Article Published in Peripheral ARTeries Art Review

Article first page

Read the full article here